He Do The Police In Different Voices – A Trumppoem

A to be for to an election?
All across the country
A good lawyer 
             And the many roles they serve that are 
A great case 
             A race
An incredible spirit of
 Added missiles
American people will come way down!
A complete and total disaster - is imploding fast!
Bad (or sick) guy!
Buy American
Competition in the Drug Industry 
Could make out of the fact that was in October 
Court earlier
Despite what you hear in the press
Don't let the FAKE NEWS
Don't worry
Down by
     Election election

Eight years

For Russia got 
 For the 
        Getting major things done!
Getting rid of state lines
Good lawyer
 Got stronger and stronger!
Great discussion!
Great news, great rallies
Gone to tapp my phones

Healthcare is coming along great
Healthcare rollout 
                  How low
Hire American
I am working on a new system
I'd bet
       I have tremendous respect for women 
Is it legal

It will end in a beautiful picture!
Just prior to
Make America Great Again!

New Healthcare Bill
                   Now out for review and negotiation and
Our wonderful new Healthcare Bill
Picked-off Crimea
President Obama 
President Obama 
President Obama
President prior pricing for the principles "ran over",

         Returned to the returned to the
 Sitting President
Stronger and stronger 
Sweeping the country

Tapp my phones Tapp Tapping my phones

Thank you
Thank you
There is right now—
 There is - 
There is big infighting in the Trump Admin
This is Nixon/Watergate.
Tremendous support.

Turned down by
Very sacred vicious prisoners
                            vital to the fabric of our society and our economy

We are talking to many groups
We are getting along great
We're bringing back the JOBS!
We are only just beginning 
                          "wire tapping"

Wonderful wonderful

This is a cut-up poem, made from the text of about twenty of President Trump’s most recent Tweets. I cut out key phrases, and arranged them roughly alphabetically. This poem should be read out loud. It’s my first Trumppoem – there will be more.


Not part of my revolution

You’re not part of my revolution.
You don’t march under my flag –
you don’t get that this is the real thing
not found in a shopping bag

You’ll just never be a rebel –
always blunt, not cutting edge.
You’ll always do coffee in Costa
while we meet outside on the ledge.

And while we march forward together,
changing the world line by line,
you’ll never know what it means
to be uncomfortable most of the time.

You’ll never get that punk rock
is more than humming a tune –
never realise that tomorrow
is always a day too soon –
never know that the truth is out there
not inside a holy book –
never realise that what you’ve got
is less than what you took.

You’re not part of my revolution –
you’re not a revolutionary brother.
You’re not a young soul rebel,
not a hero, or fighter, or lover.

You’re a decision by health and safety,
a boring compromise,
you’re the safest, dullest option
wrapped up in colourful lies.


P1080723-001Spin something on your decks, DJ,
lay down a battered beat.
Build it from the back,
down the spine, to the feet.

a reggae punk rock rhythm,
an acid house own goal;
let new beats on the block
meet old school northern soul

Turn the tables,
break it down,
build it up again,
roll the bass line,
feel it move,
take it to the end.

This is our social-ism,
all for one and one for all,
late nights early mornings
with our backs against the wall.

Sweaty basements, sticky floors,
a loose and ragged sound;
The Zap Club, Sunday morning,
something lost, a little found.

Inspired by working at The Zap Club, the Basement in Brighton, Factory in Worthing and WAG in London; all those clubs where people came together, brought together by the music.

Spin Doctors


and spun, dizzy,
he was
left facing the wrong way –

and we –
all facing the other way –

“I only know what I believe”

he said –
we, unspun, replied

“we only believe what we know”

A poem inspired by Tony Blair, Britain’s worst Prime Minister.

I only believe in facts

I only believe in facts, he said,

As if facts are something you can pin down,
like a butterfly in a box,
numbers in a trainspotter’s notebook,
or a stamp in an album;

I find that the most exciting facts
Argue with you;
Turn around just when you thought you had them tamed
and give your fingers a nasty nip.

I like facts that fight back,
that – when you see them alongside new, fresh facts (just caught) –
have to be thought
about again.

I like facts that are dark, matter
most because of their uncertainty,
fall down the cracks between other facts,
are blurred, smudgy, indistinct.

I only believe in facts, he said,
as if they are on or off;
but  facts can be
wet or dry, loud or quiet, smooth or rough.

It just depends on where you stand
and how you handle them.

Writing poems in the library’s basement

In another world, I’m a successful poet. In this one, I write poems sometimes, perform them infrequently, and once a year run a poetry workshop for children at the local library.

With a small group of quiet children and another poet called Wendy Greene, we gather words and write a collaborative poem.

This year, as part of a series at the library exploring the world, our theme was ‘Africa’. We had 45 minutes. I wove tales of empire and immigration as the children created a wordlist – they were most inspired by animals, landscape and pattern.

An African poem by Tali, Kate & India

River, jungle,
rhythm hot,
Long grass, trees,
vine and creepers,
in the land that time forgot

River, jungle,
rhythm hot,
Hiding, creeping,
wild and dangerous,
must survive no matter what

River, jungle,
rhythm hot,

Colour, pattern,
weave together
in an African melting pot

John Peel

This poem, of course, owes more to WH Auden than my imagination. I’m sure he won’t mind, as I’d imagine he’d have been a John Peel fan.

For John Peel

Stop all the clocks, cut off the telephone,
Shut down the radio stations: leave the dial alone,
Silence the piano, guitar, bass and drums
Bring out the coffin, let the mourners come.

Let the airwaves be empty overhead
Leaving unsaid the message He Is dead,
Let the dancers be still – stop the techno beat:
Let the nightclub DJs pause, let the silence be complete.

He was my North, my South, my East, my West,
My top ten and my all-time best,
My 45, C60, my talk, my song;
I thought than John Peel would live for ever: I was wrong.

The rock stars are not wanted now: silence them all;
Pack up New Order, The Undertones, The Fall;
Put away the records and don’t play them again

For nothing now will ever sound the same

An old poem for a long-past Poetry Day

This was commissioned by the Worthing Herald for National Poetry Day; I’d marked the previous National Poetry Day by being poet in residence, writing poems about the week’s news. This poem was supposed to celebrate the way that the paper was part of the fabric of life in the town, from the hills to the beach; thoroughly there at every moment in everyday life. The editor thought it was just encouraging people to burn the paper so he didn’t print it.

We rose early and
made paper aeroplanes
from pages of last week’s paper;
we threw them from the highest point
of tattered Teville Gate,
and watched them drift over
the empty, old Norfolk Hotel;
further south towards the Town Hall tower;
and west towards the Creative Quarter.

We made banners from the sports pages
and waved them high as we marched for Fair Trade
and against Tetra masts.

We wrapped morning-caught fish
in the small ads,
ate our local catch with chips for lunch.

Later we made an armada of paper boats
and launched them from the landing stage
of the Art Deco pier;
watched them drift in the lazy late afternoon sun,
west to Littlehampton and out
to the distant, just-visible Isle of Wight.

And as the sun set we stood on Highdown hill
and lit the fire under a hot air balloon
(a two foot wide ball of twisted withy sticks
and pages from the business section and glue)
and watched it float high over Worthing
before it was lost in the fading light
and caught by its own flames.

From here to you

You might notice I have an interest in place, in navigation, in the routes we take from one thing to another. While it usually takes a more serious tone, here’s another new poem, just written to play with the descriptive way we give directions – but I’ve road-tested it and it gets a laugh when read out loud, which never happens with my stuff usually.

Cutting over town,
across the park
below the hills,
through the twitten,
behind the swiss hotel,
round the royal crescent,
slide past the library,
around the edge of the centre,
under the back of the gasworks,
and down to the front;

the quickest route from here to you.

A new poem

Here’s a short poem, from a batch of loose, scruffy and ragtag ideas I’ve been playing with lately. I’ve tried a couple out in public and they’ve gone down well… I may give them all a haircut and a shave and turn them into real poems.

A terminus without a trainline:
A suitcase without a holiday;
A book without a font;
A king without a coronation;
A map without a route;
And a chair without you.

Prize-winning poetry

I haven’t been out and about much as a poet in the last year, as I’d lost the ability to write. But in the last couple of months I have felt inspired again and produced a few sketches, thoughts and ideas that might shape up into something altogether epic. I road-tested a couple at a poetry night in a cramped room upstairs at the Lewes Arms last night, performing alongside Russ Bravo (pictured).

They got a good response.

However, there was a limerick competition in the interval, with a theme of John Terry, his team mates and their assorted girlfriends, wives and mistresses. And the crowd chose my effort as the winner – so I’m now officially a prize-winning poet thanks to this:

Our new national sport is wife swapping
We’re all busy changing and chopping
and our wives don’t complain
cos they do the same
when they’re not too busy with shopping