Estuary is a new, biennial arts festival curated in response to the spectacular Thames Estuary and presented in culturally significant and historic venues along the Essex and Kent shorelines. An exciting mix of new and existing works will pull together powerful themes resonant to the place, its history, landscape and communities in an ambitious programme of contemporary art, literature, film and music.
From the Metal blog.
I’m among the artists creating new work for the first Estuary biennial. Metal are making it all happen, and brought together a small group of us to work alongside each other and explore Southend, Tilbury and other significant sites along the Estuary for a week.
The places we saw are truly magical – real industrial edgelands with layers of use, occupation and meaning. Places at the end and the beginning of so many English stories. Making it an incredible commission; a chance to weave together all sorts of fragments, places, moments in time. Can I live up to all the possibility? We’ll see.
From my original proposal to Metal:
As I sit here, I can see the full spread of the Thames Estuary; the Isle of Grain, wind farms, the sea forts, the constant tides and changing shipping. At night, Southend sparkles on the horizon. I live eight floors up in Arlington House, Margate, big aluminium-framed windows facing down the estuary. In winter I huddle down and watch storms build and move along the shore, and in summer slide the windows right back to let in warm sun and the sounds of play.
The estuary’s an impressive space. Where I was born, the sea is on the south and is somehow smaller. The sea and sky here is huge. And this view is one which is full of stories, as well as surrounded by estuary-side towns with their own tales. Submarines and pirate radio, independent nation states and messages in bottles, migrant seabirds and immigrant communities, containers full of Chinese-made knick-knacks, the rusted skeletons of crashed Zeppelins, the last flight of a Vulcan A-bomber.